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SOUTHERN GOTHIC . ONE-MAN-BAND

Lincoln Durham

Stomp.
Slide. Howl.

Like a relentless freight train bearing down on your heels — preaching the half-baked gospel of some new kind of back-porch, floor-stomping music.

"One needs to see Durham's live videos or, better yet, a live performance to fully appreciate his talents. I've never seen a solo multi-instrumentalist put on such a mind-blowing performance." — Allan Claudio, Blues Rock Review, 2026 Blues Rock Review

The spectacle.

i.

The origin.

ii.

The Shovel vs. The Howling Bones

The road.

iii.

Upcoming dates announced on the tour page. If you want Lincoln at your venue, festival, or event —

Lincoln Durham doesn't sound like anyone's idea of safe. A self-described "obnoxious Southern-gothic scary-blues one-man-band," he plays a stage full of instruments on his own — stomp, slide, and a voice that lands somewhere between sermon and confession. Across five albums (2012's The Shovel vs. the Howling Bones to 2023's Resurrection Thorn), he's built a reputation that critics and live audiences rate far above his streaming numbers — the mark of an artist who's deliberately raw rather than radio-ready. Mentored by a Legend, with placements on CW's Walker and Lethal Weapon, he self-produces and tours as a singular live act. A new record is coming.

The story.

iv.

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"This is the kind of record that Jack White wishes he could make, a record that is loose, unhinged by commercial limitations or stylistic allegiances. Durham demonstrates again and again that he's no one's man but his own"

PopMatters

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